


The first comprehensive survey documenting the important AIDS activist art collective's work from 1987 to 1995 is set to open on January 31 at 80WSE. The exhibition, curated by Gran Fury and 80WSE Assistant Director Michael Cohen, runs through March 17, 2012.
Angered by the political sphere’s refusal to address or react to the AIDS crisis that devastated NYC beginning in the ‘80s and continuing through the ‘90s, a group of designers and artists formed the collective, Gran Fury, after meeting through ACT UP (the AIDS Coalition to Unleash Power).

Photographs and records from the period help convey the urgency of the early AIDS crisis that lead many into the streets to demand reforms that changed public policy and saved countless lives. Gran Fury's work raised public awareness of AIDS and put pressure on politicians, while sparking debate in sites ranging from the Illinois Senate to the tabloid press of Italy.
Much like today’s global activists leverage technology and social media to organize and inform, Gran Fury utilized the tools available to them at the time. Through media including billboards, postcards, video, posters, paintings and giveaways, the group was able to heighten public awareness of AIDS, while compelling politicians into action.

"Gran Fury: Read My Lips" Exhibition Information
80WSE Galleries
80 Washington Square East in Greenwich Village (Between West 4th Street and Washington Place)
Exhibition Dates: January 31 to March 17, 2012
Gallery is open Tuesday through Saturday from 10:30am to 6pm
The exhibition and panel are free and open to the public
Nearby Subways: A, B, C, D, E, F, M, N, R, 4 and 6
SOHO Grand
310 West Broadway
6:00PM - 9:00PM
Cocktails. Conversation & Cause.
Join us as we welcome Brad Carpenter, Producer of Nurse Jackie and
Sex and the City as he tells us what inspires him.
Hosted by Brian Balthazar, Kelvin Chen, Mike Sullivan, Steven Birkeland, Norbert Beatty, James Norton, Phil Putnam, and Elliot Tomaeno
These monthly installments have successfully brought together pioneering professionals and inspiring individuals for an evening of cocktails and connections.
Hosted Blue Angel Vodka bar.
$25 in advance | $35 at the door. RSVP ONLINE
Proceeds to benefit Newfest
CONNECT + ENGAGE + DISCOVER



The boutique hotel which
bills itself as an "urban gay resort," is located in Hell's Kitchen
(where else?). It will include 105 rooms and XL Nightclub, which the
creators say is the first nightly gay dance club to open in the city in
the last 15 years.
Brought to you by club legend John Blair, the 14,000 sq. foot XL is slated to open this month.
Plans for the hotel also include a three courtyards and a massive gym.
Rooms will start at around $200 a night, with sleep shares starting at $99 a night.
The site is up and live and taking reservations now!




Up next month: The Films of Pedro Almodovar!
Almodóvar is arguably the most successful and internationally known Spanish filmmaker of his generation. His films, marked by complex narratives, employ the codes of melodrama and use elements of pop culture, popular songs, irreverent humor, strong colors and glossy décor. Desire, passion, family and identity are among Almodóvar’s most prevalent themes. His films enjoy a worldwide following and he has become a major figure on the stage of world cinema.






Apparently President Obama sent Matt Katz and his husband a letter after they were married, congratulating him. The letter is on Matt's Facebook page.
They have no idea why they received the card.
Matt says, "I'm not sure why the letter got sent to us. Aaron and I were married on July 24th at Borough Hall. However, we had our wedding ceremony on July 23rd at my dad's house the day before. Maybe word got out that we were outlaws for a day?"
It will be interesting to see if more letters surface....


The word “cabaret” conjures up images ranging from smoke-filled rooms (remember smoke?) to lap dances. We may have lost the smoke, but cabaret is back in a big way in New York.
In a world where music is everywhere, on your iPod, cell phone and in TV shows like “American Idol” and “Glee,” the unsung venues are the cabaret rooms. These rooms include long-standing uptown music rooms like Café Carlyle and the Algonquin Hotel’s Oak Room and less highfalutin venues like the Metropolitan Room on West 22nd Street, which offers a roster of both famous names and newcomers, as well as Don’t Tell Mama on West 46th Street and the Laurie Beechman Theater on West 42nd Street.In these rooms performers strive for the chance to communicate with an audience. Nothing’s needed except the singer, the song, a musician or two, and the give and take of the audience. It’s the rare opportunity to express yourself with lyrics that mean something and music that shapes those lyrics indelibly. You can explore a vast treasury of great songs and can take a familiar pop song and give it new life and meaning. It is the job of a singer to convey the story behind the music. I can’t tell you how many times someone has come up after a show to say they had never really heard the lyrics to a pop song until I had sung it.
Part of the fun of cabaret is how audiences differ so much depending on the location and venue.
I was the first white male to sing at Sweetwater’s, an R&B club in New York. It was fun because I got to work with the house band who had toured with Aretha Franklin. As I took to the stage there was a dubious silence, but once I began singing, I started hearing, “you tell ‘em, baby,” and “sing it child!” It took me a minute to get used to this participatory crowd, where you would sing and they would answer you right back — but I loved it!
In London, the audiences seem like very serious students, silent throughout the song and until the pianist has played his very last note and then politely applauding; afterwards they tell you how moved they were. In Los Angeles, they sigh audibly and want to stay after the show to discuss in detail every song you chose and where you found it. In New York, they heckle (good-naturedly!) and, if they like it, applaud enthusiastically even before the song is over. It’s all wonderful. And you never know who you’re going to meet…
Early on, I had gotten a lot of attention from some record labels, and I was working at a club called Mickey’s with famed singers Karen Akers and Cissy Houston. Bob Feiden of Arista Records asked me to stay for Cissy’s show to get my take on her daughter, whom Cissy was introducing in the act. Into the spotlight stepped this pretty teenager with minimal makeup wearing a sheath dress. Barely moving, she sang a very pure version of Barry Manilow’s “All the Time.” Her beauty and simplicity were amazing. It was, of course, Whitney Houston.
So many people think they can sing, and do, that it’s important that
the world of cabaret offers them a venue, especially in New York.
You don’t have to have a beautiful voice. Some of the greats had little range but were all soul. Frank Sinatra says he learned it all from Mabel Mercer, who often talked her way through a song. Insiders hail Fred Astaire as a great singer, and some of the finest songs were written for him (“The Way You Look Tonight” for example). He had a small voice but exquisite rhythm, timing and a reserved emotional quality that could be heartbreaking.
What prepares you to be a singer? Life!
What art form is more immediate, able to change from night to night according to musical fashion or even the headlines? In a world full of noise and clatter, people yearn for the kind of intimacy a small music room provides. Like all live performance, you never know what you’re going to get…But it’s oh so worth the visit. So go out and support live music, be it a cabaret, a piano bar or any other venue. Let yourself be transported, and have a cocktail while you’re at it. Cabaret is a key part of New York’s culture.
Craig Pomranz is an actor, singer, dancer, recording artist and song stylist who sings internationally. His new show in New York is “Love and the Clock” at The Metropolitan Room.



The Holiday Windows are up, lights are hanging on Fifth Avenue, and there’s a line at the airport — it must be time for our holiday video. “Unleashed” is here and it’s ready to rumble around the internet. BG has always been a dog-friendly store but for “Unleashed” we got downright intimate. Dogs had free run through the store (the filming took place at 5am) and as you’ll see, they took full advantage.
We were very happy to work with the Humane Society of New York, which has been helping animals in need since 1904. We hope you enjoy it — and we want to see photos of your dogs for an upcoming project, so start planning your portraits.
Now it’s time to meet Salty and the rest of the pack. WATCH NOW

